''Her recent works are a rare example of successful merging of traditional forms of everyday use and decoration values with persuasive and provocative approach to art in the globalization era. As an academic and an intellectual, curious by nature , Valentina recalls the great wealth of classical art through her work, each time succeedingin infusing the traditional values with a contemporary spin and aproaching them to the time and the world we are living in; last but not the least, using conventionaly the most valued ceramics material of porcelain in non-conventional ways.''
“Savić is familiar with the language of gendered art and plays a gentle ping-pong with her the predecessors: her ceramics installations Network (2016), Dinner for Bunuel (2016) or the performance Gluttony (2017) could only be possible after Judy Chicago, Eva Hesse, Louise Bourgeois, or Helen Chadwick…
“In other words, Valentina Savić is, with her clear artistic and theoretically argumented attitude, both sign and icon, as Marina Grižanic wrote, of new Belgrade ceramic scene.
“She is the most provocative ceramic artist in Serbia, skilled and sophisticated producer of objects and happening.”